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故事发生在伊朗的一个城市，主人公侯塞因在两伊战争退伍之后，做了比萨速递员，靠送比萨给到富人区来维持生活。他爱上朋友阿里的姐姐，并希望娶她为妻。阿里是个小偷，一次，他偷到手的手袋里竟有一块黄金。侯塞因想给自己的爱人买一件首饰，在旁人的怂恿下，他与阿里去珠宝店购物，却遭到奚落，在贫富世界的巨大差异下，侯塞因感到深深的失落，愤怒之下他打劫了那家珠宝店，并为之付出沉重的代价。。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。今までもこのブログでちょこちょこ書いてましたが、作品の詳細をまとめますと、 「幻想万華鏡春雪異変の章　～『東方妖々夢』より～」 総時間はＯＰ・ＥＤ全部合わせて１６分、 曲や音は入っていますが声は無し、 かわりに字幕のＯＮ／ＯＦＦができるようになっています。 リージョン２とか書いてますが普通にリージョンフリーだったりします。 同人ショップでもたぶん当日から頒布されることになると思いますが、会場でお求めいただいた方にはポストカードのおまけを考えてます。 この画像ではわかりませんが、実はこのジャケット、みっちゃんの大きなミスが発覚してたりします・・・ が、刷り直すわけにもいかないのでこのまま行っちゃいます。 ごめんなさい。。